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Art in Public Spaces

 

 

 

Decorative Concrete
Art in Public Spaces

Many public building projects have money set aside for art. Why not make it decorative concrete? Here’s how one contractor learned to make public art work for him.
by Steven Ochs

Images in Concrete does a lot of work for individual customers, both in creating original floor murals and in basic staining. But we also work with businesses and schools via grants to produce public art. Many states have “Percent for Art” or “Art in Public Places” programs where 1⁄2 percent to 1 percent of building costs for publicly funded buildings must be set aside for art.

I would encourage concrete contractors to seek out the artists in their communities. These may be people who are graphic designers, painters, or — like me — an art professor. If you find compatibility and team up, the design skills of the artist can elevate your decorative concrete to a whole other level. Public art can be so much more than hanging a painting on a wall. In my opinion, the most successful examples are when art is integrated with architecture, so what better foundation could you have for success than concrete floors? The only difference in working with individual clients and community art leagues is that public art requires many more people, more meetings, more research, more patience, and a lot more time.

Time consuming? Absolutely, and your fee for this type of service must reflect the time you spend doing research and planning as well as the square footage you will install. Gerald and I discovered that the deciding factor isn’t always the money. This is as true for our clients as it is for us. It is whether they appreciate the uniqueness of seeing their own ideas manifested beneath their feet and how art can express values and engage people in dialogue. If the design works well, the funds will follow.

For some contractors, having clients actively involved may sound like your worst nightmare. Some may think we are crazy for inviting our clients to work alongside us. For us, the closer we work with the client, the easier it is to make changes during the process. What! Who would do such a thing? Me. No matter how many hours or days it took for the ideas to evolve into a good design, there is always that opportunity to make it better. It may be after a good night’s sleep or during the process of laying out the image: New ideas can and will occur.


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This Issue
Concrete Decor, Vol. 5, No. 4
August/September 2005
Concrete Decor Vol 5 No 4
 

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Related Readings
Cutting Pictures Into Concrete
Choosing Concrete Diamond Saw Blades
Concrete Hardscapes
Embedding Objects in Decorative Concrete
Terrazzo Floors
Concrete Admistures: Metakaolins

Other articles in this issue
Concrete Countertop Molds
Removing Stains from Concrete
Concrete Densifiers
Concrete Art in Public Places
Concrete Countertop Contest Winners
Customer Service
The Concrete Colorist
New Concrete Technology
Bomanite Corporation
Concrete Tools
Project Profile
Product News
Final Pour

     
   
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