Concrete Artisan Thrives When Projects Require Creativity

Decorative concrete by Nolan Mayrhofer

Armed with MacGyver-like skills and the intuitive know-how to solve problems while on their feet, Nolan Mayrhofer and his team thrive on projects that require creative intervention.

“I’ve always been curious, always been a risk-taker,” says the founder and president of Szolyd Development Corp., in Victoria, British Columbia. “When it comes to new technology, I’m what you’d call an early adapter.”

For instance, he says, Szolyd (pronounced “solid”) was one of the first companies in North America to be licensed to work with Ductal. “It’s such a sophisticated product, so different from anything else out there,” he says about Lafarge’s very flexible high-performance concrete, which his company markets as D-Roc.

Modern Concrete Fireplace

Fireplace surround that spans floor to ceiling.

Sleek concrete countertop with an infinity edge peninsula.

Likewise, his was among the first companies in his area to offer concrete countertops. He had already been pouring them for three to four years when he took Fu-Tung Cheng’s countertop course the first year it was offered. “I didn’t go in there green,” Mayrhofer says. “I was intrigued by his design and wanted to pick up some tips.”

Breaking into the business
Mayrhofer says he was first inspired by concrete about 16 years ago. At the time, his company Stone Design was making mosaics, creating made-to-order art pieces and building furniture out of recycled pallets. Meanwhile, friends of his at Sunwise Systems, in Kamloops, British Columbia, were pouring concrete floors, tinting them with stucco pigments and etching insects on the surface with muriatic acid. “It was pretty progressive and I thought, ‘Wow. This is the direction I want to move my company,’” he remembers.

He began attending trade shows to learn all he could about concrete and soon was promoting Stone Design as a concrete flooring company, offering a variety of services that included acid stains and rudimentary polishing. Slowly, the company evolved into the polishing company it is today.

Concrete hot tub surrounded by a wood deck.

A decoration on a concrete floor

Concrete Table in a wine cellar.

In 2003, Mayrhofer founded a second company, Szolyd, to branch out into different areas, such as precast landscape pieces and countertops. “Szolyd was always set up so we could design our own products and manufacture our own lines,” he says.

Almost all of the newer company’s work involves designing and precasting concrete landscape elements, countertops and tables. The designing is a team effort — he and his crew work with designers or design pieces on their own. Besides D-Roc, the company markets two in-house casting blends.

Currently, the company employs seven people. They are continually testing new ingredients, refining formulas and building on existing technology to improve their products’ strength, durability and finish.

A close up of a concrete countertop in a kitchen space

A fireplace surround made of concrete that surrounds the brick chimney

“We like to play around with mixes,” Mayrhofer says. “We’ve had to work through some challenges with our recycled-glass line, G-Roc. Glass and concrete can be a deadly mix due to ASR (alkali-silica reaction).”

Szolyd’s G-Roc is aimed at hard-surface architectural and furnishing artisans. It’s made from 85 percent recycled materials, with glass accounting for about 60 percent of the total weight, and can net contractors LEED points.

In addition to G-Roc and D-Roc, Szolyd offers T-Roc, the casting mix it calls its workhorse. The mix can be polished or hand-troweled, precast or hand-packed to form countertops, architectural details and other concrete items. “T-Roc is our traditional mix,” Mayrhofer says.

A concrete countertop next to a stainless steel appliance.

A large vent on top of a concrete piece.

The artisan peering through a concrete tube during his work.

Szolyd also has used glass-fiber reinforced concrete (GFRC) on a basic level with a hopper gun, he says, but it’s ready to step up to full-scale GFRC batching equipment.

Form and simplicity
Although initially Szolyd serviced mostly residential clients with its precast work, in the past two years the client base has shifted to about 80 percent commercial. “We love working with architects and engineers,” Mayrhofer says. “That’s where we fit in these days. We speak the same language. ”

Besides countertops, Szolyd’s work largely consists of benches, planters, signage and cladding for buildings. In particular, most of the current work involves large public or commercial spaces.

Mayrhofer says Szolyd focuses on ultramodern minimalistic design and cutting-edge techniques. He constantly scans periodicals and the Internet for the latest ideas. “We take a lot of risks being an early adapter,” he says. “We’re always trying to be in on the latest and the greatest, which a lot of time means failure. But we learn from our mistakes.”

A wood and concrete combination look.

Concrete steps with hand rails leading up.

Concrete Water Fountain

Szolyd is not into a lot of bright colors. “We mainly do white, black and gray. We like to keep it simple and use basic raw materials, such as glass, metal and concrete. We focus on finishes and specialty molds that we build. It all comes down to form. That’s the beautiful thing about concrete: It can be cast into any shape.”

One of Mayrhofer’s pet projects involves a process he calls “cradle to grave to cradle.” Szolyd is removing 80 tons of office cubicle glass from a 10-story building in Vancouver owned by KPMG, one of the largest audit, tax and advisory firms in North America, and recycling it to make concrete countertops for the building.

“On the same trucks we use to deliver the countertops, we load bins full of glass to take back to our shop to make more G-Roc,” he says. “We’re the poster children for sustainability.”

Other projects include a variety of landscape pieces for the Little Spirits Garden in Victoria, a site where families can grieve pregnancy and infant loss. A staircase designed by architects at Perkins+Will for the firm’s Vancouver office features precast tread-riser combinations. A conference table for the Edmonton, Alberta, headquarters of Durabuilt Windows & Doors required 16 men to lift it in. An urban space outside the 2% Jazz coffeehouse in downtown Victoria features a solar-charging phone station set into concrete.

Concrete Street Address Piece

Concrete Countertop with two levels, lower level white, upper level blue

It takes years to get a good grasp on the workings of concrete, Mayrhofer says. “You’ll never master it. Just when you think you have it under control, it’ll bite you.”

On the flip side, “There are those happy accidents, where something wonderful happens, that are often talked about.” And seldom recreated, he says.

Because of this unpredictability, and the risk involved, concrete contractors come and go, with not too many in it for the long haul, he says. “Evaluate what kind of person you are and how averse you are to risk,” he advises those new to the business. “If you don’t like roller coasters, you probably won’t like concrete.”

If you do decide to stick around for the ride, don’t be scared of the competition, Mayrhofer says — embrace it. “Share the information you’ve learned and help develop our industry,” he says, an attitude he calls “coopetition.” “There’s a lot you can learn from people in our industry. More good will come from working together and collaborating than battling it out.”

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